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mon secret
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It’s My Party
Als Kind ist jeder ein Künstler. Die Schwierigkeit liegt darin, als Erwachsener einer zu bleiben.
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Kalkofes Mattscheibe
Oliver Kalkofe
Seinen deutschlandweiten Durchbruch hatte er mit der (unverschlüsselten) Fernsehsendung Kalkofes Mattscheibe auf Premiere, die zuvor schon als Radiosendung auf radio ffn lief. Inhalt der Sendung ist „konstruktive Medienkritik“ in Form von satirischen Kommentaren zu Ausschnitten von Fernsehsendungen. Kalkofe tritt dabei häufig als einer der Mitwirkenden der Sendung verkleidet auf (oft auch in Frauen- und Doppelrollen) und imitiert deren Stimme und Gestik. Ebenso wurde gelegentlich auch der Originalbeitrag optisch manipuliert: Beispielsweise wurde die Moderatorin Carolin Reiber zum Platzen gebracht, und in einer anderen Folge vom Blitz getroffen. Für die Mattscheibe erhielt er 1996 den Adolf-Grimme-Preis. Nach vierjähriger Pause, unterbrochen durch einige Sondersendungen für die ARD, liefen von 2003 bis 2005 neue Folgen auf ProSieben. Nach einer weiteren Pause begann die nächste Staffel am 24. Juni 2008.[1]
Kalkofe trat auch mit dem Schlagermoderator Achim Mentzel auf. Mentzel war als ostdeutscher Moderator einer Volksmusiksendung zunächst nur Opfer der Mattscheibe, bis er den Spieß umdrehte und auf einer Schultafel, die Teil der Kulisse seiner Sendung war, der Satz „Kalki ist doof“ erschien. Kalkofe nahm den Ball auf, und es entwickelte sich über die Zeit ein reger Austausch von kleinen Gehässigkeiten via Fernseher. Inzwischen bekam Mentzel von Kalkofe eine kleinere Rolle in dessen Edgar-Wallace-Parodien Der Wixxer und Neues vom Wixxer.
Im Februar 2012 war er als Kino-Kolumnist einmal die Woche zu Gast bei Gottschalk Live.
Am 18. Juli 2012 wurde bekannt, dass die Mattscheibe ab Herbst desselben Jahres auf dem Free-TV-Sender Tele 5 zurückkehren soll. Zunächst seien 30 neue Folgen zu je 15 Minuten geplant, die ab Oktober zu sehen seien.[2] Diese Rückkehr ins Fernsehen geschah dann wie angekündigt im Oktober 2012 unter dem Namen Kalkofes Mattscheibe Rekalked. Im Februar 2013 entschloss sich Tele 5 dazu, zehn weitere Folgen zu produzieren, die das Staffelende auf den Juli 2013 verschoben.[3]
Ebenfalls auf Tele 5 startete am 29. März 2013 die Reihe Nichtgedanken, in der Kalkofe aus Autobiografien von polarisierenden Persönlichkeiten wie Bushido oder Bettina Wulff vorliest. Sowohl der Titel als auch die Gestaltung der Serie spielen auf die Sendung Nachtgedanken an. Angekündigt sind 30 Folgen.[4] Seit Sommer 2013 moderiert er bei Tele 5 die Sendung Die schlechtesten Filme aller Zeiten (SchleFaZ), welche sich stark an der KTMA-Serie Mystery Science Theater 3000 orientiert.[5]
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Fendi by Karl Lagerfeld
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Oskar der Blechtrommel
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Ace of Space
Lemmy was born on Christmas Eve in the Burslem area of Stoke-on-Trent, Staffordshire. When Lemmy was three months old, his father, an ex-Royal Air Force chaplain, separated from his mother. His mother and grandmother moved to Newcastle-under-Lyme, then to Madeley. When Lemmy was 10, his mother married former footballer George Willis, who already had two older children from a previous marriage, Patricia and Tony, with whom Lemmy did not get along.
The family moved to a farm in Benllech on Anglesey, with Lemmy later commenting on his time there, that „funnily enough, being the only English kid among 700 Welsh ones didn’t make for the happiest time, but it was interesting from an anthropological point of view.“ He attended Sir Thomas Jones‘ School in Amlwch, where he was nicknamed Lemmy; it was later claimed that the name originated from the phrase „lemmy [lend me] a quid till Friday“ because of his habit of borrowing money from people to play slot machines. He soon started to show an interest in rock and roll music, girls and horses.
By the time he left school his family had moved to Conwy, still in northern Wales. There he worked at menial jobs including one in the local Hotpoint electric appliance factory, while also playing guitar for local bands, such as the Sundowners, and spending time at a horse-riding school.[3] Lemmy saw the Beatles perform at the Cavern Club when he was 16, and then learned to play along on guitar to their first album Please Please Me. He also admired the sarcastic attitude of the group, particularly that of John Lennon.
At the age of 17 he met a holidaying girl called Cathy. He followed her to Stockport, where she eventually had his son Sean, who was put up for adoption. In the 2010 documentary film Lemmy, Lemmy mentions having a son whose mother has only recently „found him“ and „hadn’t got the heart to tell him who his father was“, indicating the boy – perhaps Sean – was given up for adoption.
1960–1970: Early years
In Stockport, Lemmy joined local bands the Rainmakers and then the Motown Sect who played northern clubs for three years. In 1965 he joined the Rockin‘ Vickers who signed a deal with CBS, released three singles and toured Europe, reportedly being the first British band to visit the Socialist Federal Republic of Yugoslavia. The Rockin‘ Vickers moved to Manchester, where they lived together in a flat. There Lemmy got involved with a girl named Tracy who bore him a son, Paul. Lemmy did not have any involvement with him until the boy was six.
Leaving the Rockin‘ Vickers, Lemmy moved to London in 1967. He shared a flat with Noel Redding, bassist of the Jimi Hendrix Experience, and with Neville Chesters, their manager. He got a job as a roadie for the band. In 1968 he joined the psychedelic rock band Sam Gopal and recorded with them for the album Escalator and the single „Horse“.
After meeting Simon King in a Chelsea shopping centre in 1969, he joined the band Opal Butterfly; but the group soon folded, having failed to raise enough interest with their singles.
In August 1971 Lemmy joined the space rock band Hawkwind, who were based in Ladbroke Grove, London, as a bassist and vocalist. He had no previous experience as a bass guitarist, and was cajoled into joining immediately before a benefit gig in Notting Hill by bandmate Dik Mik in order to have two members who enjoyed amphetamines. He quickly developed a distinctive style that was strongly shaped by his early experience as a rhythm guitarist, often using double stops and chords rather than the single note lines preferred by most bassists. His bass work was a fundamental part of the Hawkwind sound during his tenure, perhaps best documented on Space Ritual. He also provided the lead vocals on several songs, including the band’s biggest UK chart single, „Silver Machine“, which reached No. 3 in 1972.
In 1975 Lemmy was arrested at the Canada/US border in Windsor, Ontario, on drug possession charges; he spent five days in jail but was released without charge. Nonetheless he was fired from Hawkwind.
After Hawkwind, Lemmy formed a new band called „Bastard“ with guitarist Larry Wallis (former member of the Pink Fairies, Steve Took’s Shagrat and UFO) and drummer Lucas Fox. Lemmy and Took were friends, and Took was the stepfather to Lemmy’s son Paul. When his manager informed him that a band by the name of „Bastard“ would never get a slot on Top of the Pops, Lemmy changed the band’s name to „Motörhead“ – the title of the last song he had written for Hawkwind.
Soon after, both Wallis and Fox were replaced with guitarist „Fast“ Eddie Clarke and drummer Phil „Philthy Animal“ Taylor and with this line-up the band began to achieve success. Lemmy’s guttural vocals were unique in rock at that time, and were copied during the time when punk rock became popular. The band’s sound appealed to Lemmy’s original fans and, eventually, to fans of punk. Lemmy asserted that he generally felt more kinship with punks than with metalheads; he even played with the Damned for a handful of gigs when they had no regular bassist. The band’s success peaked in 1980 and 1981 with several UK chart hits, including the single „Ace of Spades“, which remained a crowd favourite throughout the band’s career, and the UK No. 1 live album No Sleep ’til Hammersmith. Motörhead became one of the most influential bands in heavy metal. Their – and Lemmy’s – last live performance was in Berlin on 11 December 2015.
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Eat Snow
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take a break
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Wenn alle an der DNA zerren
Leben ist die Kunst, taugliche Schlußfolgerungen aus unzureichenden Prämissen zu ziehen. Samuel Butler
Samira Elagoz styled by Perlensäue
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silence
Schweigen ist die unerträglichste Erwiderung. Gilbert Keith Chesterton
Starring: Jalia Micalova – Styling: Giuliana Savari – © Rath
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search and destroy
Dieselben Naturkräfte, die uns ermöglichen, zu den Sternen zu fliegen, versetzen uns auch in die Lage, unseren Stern zu vernichten.
Wernher von Braun
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Liebe ist kein Solo
Liebe ist ein Duett. Schwindet sie bei einem, verstummt das Lied.
„Alle Lebewesen außer den Menschen wissen, dass der Hauptzweck des Lebens darin besteht, es zu genießen.“
Samuel Butler
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Paint It Black
„Paint It Black“
I see a red door and I want it painted black
No colors any more, I want them to turn black
I see the girls walk by, dressed in their summer clothes
I have to turn my head until my darkness goes I see a line of cars and they’re all painted black
With flowers and my love both never to come back
I see people turn their heads and quickly look away
Like a newborn baby, it just happens every day I look inside myself and see my heart is black
I see my red door I must have it painted black
Maybe then I’ll fade away and not have to face the facts
It’s not easy facing up when your whole world is black
No colors any more, I want them to turn black
I see the girls walk by, dressed in their summer clothes
I have to turn my head until my darkness goes I see a line of cars and they’re all painted black
With flowers and my love both never to come back
I see people turn their heads and quickly look away
Like a newborn baby, it just happens every day I look inside myself and see my heart is black
I see my red door I must have it painted black
Maybe then I’ll fade away and not have to face the facts
It’s not easy facing up when your whole world is black
No more will my green sea go turn a deeper blue
I could not foresee this thing happening to you
If I look hard enough into the setting sun
My love will laugh with me before the morning comes
I see a red door and I want it painted black
No colors any more, I want them to turn black
I see the girls walk by, dressed in their summer clothes
I have to turn my head until my darkness goes
Hmm, hmm, hmm,..
I wanna see it painted, painted black
Black as night, black as coal
I wanna see the sun blotted out from the sky
I wanna see it painted, painted, painted, painted black
Yeah!
Hmm, hmm, hmm…
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WIR BRAUCHEN NEUEN STOFF
Du entsprichst nicht dem Index? Deine Aura ist Groß? Du bist über 18? Und unter 81?
Komm zum Go-See in die Rath-Factory am 10. Januar zwischen 17 und 20 Uhr und gebe deinem Leben eine neue Richtung.
You don’t fit to the index? You have a big aura? You’re over 18? And under 81? Come over for a Go-See to the Rath Factory at the 10. January between 5 and 8 pm and give your life a new destination.
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Purple Haze
Man schließt die Augen der Toten behutsam; nicht minder behutsam muss man die Augen der Lebenden öffnen. Jean Cocteau
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Die Spreewerkstätten
Die Spreewerkstätten (Trailer) from Spreewerkstätten on Vimeo.
Die Spreewerkstätten sind ein Zusammenschluss verschiedener Event- und Ausstellungsflächen auf insgesamt 3 Etagen in dem Gebäude der Passarelle der Alten Münze am Alexanderplatz in Berlin. Zu den Veranstaltungsfächen zählen unter anderem die Spreegalerie Alexanderplatz, der Cage Club, Wir im Raum, das Praegewerk, die Rath-Factory, Olivia Steele sowie zahlreiche Workshops, Ateliers und der Garten.
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Inneres Auge
Alexandre Farto was born in Portugal in 1987. He studied at the Byam Shaw School of Art in London. Vhils lives and works in London and Lisbon. He gained prominence when his work of a face carved into a wall appeared alongside a picture by street artist Banksy at the Cans Festival in London in 2008.[citation needed] A photograph of him creating the work appeared on the front page of The Times. He was later given space to show his work by Banksy’s agent, Steve Lazarides. Several of his works were published in 2008. He is also shown by Vera Cortes and the Magda Danysz Gallery. During Fremantle’s 2013 Fremantle Street Arts Festival, the Norfolk Hotel was decorated with an original image of the first Australian female senator. The image of Dame Dorothy Tangney DBE was created by Vhils and his assistants. Luxembourg Freeport, an art storage facility opened in 2014, includes a large mural by Vhils, etched into one of the atrium concrete walls.
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Changes
David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie , was an English singer, songwriter, multi-instrumentalist, record producer, arranger, painter and actor. Bowie was a figure in popular music for over four decades, and was known as an innovator, particularly for his work in the 1970s. His androgynous appearance was an iconic element of his image, principally in the 1970s and 1980s.
Born and raised in South London, Bowie developed an early interest in music although his attempts to succeed as a pop star during much of the 1960s were frustrated. Bowie’s first hit song, „Space Oddity“, reached the top five of the UK Singles Chart after its release in July 1969. After a three-year period of experimentation, he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single „Starman“ and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie’s impact at that time, as described by biographer David Buckley, „challenged the core belief of the rock music of its day“ and „created perhaps the biggest cult in popular culture“. The relatively short-lived Ziggy persona proved to be one facet of a career marked by reinvention, musical innovation and visual presentation.
In 1975, Bowie achieved his first major American crossover success with the number-one single „Fame“ and the hit album Young Americans, which the singer characterised as „plastic soul“. The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the electronic-inflected album Low, the first of three collaborations with Brian Eno. Low (1977), „Heroes“ (1977), and Lodger (1979)—the so-called „Berlin Trilogy“ albums—all reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single „Ashes to Ashes“, its parent album Scary Monsters (And Super Creeps), and „Under Pressure“, a 1981 collaboration with Queen. He then reached a new commercial peak in 1983 with Let’s Dance, which yielded several hit singles. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. He stopped touring after his 2003–04 Reality Tour, and last performed live at a charity event in 2006. Bowie released the studio album Blackstar on 8 January 2016, his 69th birthday, just two days before his death from liver cancer.
David Buckley said of Bowie: „His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure.“In the BBC’s 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million records worldwide. In the UK, he has been awarded nine Platinum album certifications, eleven Gold and eight Silver, and in the US, five Platinum and seven Gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.
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RATH-FACTORY || SECRET OPENING || BERLIN
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Booka Shade
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